On Deadlines, Failure, and Getting Started

On Deadlines, Failure, and Getting Started
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“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well. It’s about getting up, getting well, and getting over. Getting happy, okay? Getting happy.”
― Stephen King, On Writing: A Memoir of the Craft

When I was in elementary school, we had end-of-year projects. And in the beginning, when I was little, I worked my little fingers off, coloring in my drawings, cutting out little uneven squares of colored paper, and writing papers. But by fifth grade, I decided that I was tired. The idea of coming up with something — something that no one might like — that I then had to show off for a grade, completely overwhelmed me. I was so afraid of spending time creating something mediocre that I decided not to make anything at all. It was an idiom project, one that my brothers had done before, and we still had theirs, nicely drawn and tightly bound in the closet upstairs. I think we needed fifty of them, tiny phrases that I went around the house attempting to remember. After several explanations, I still couldn’t wrap my head around “A bird in the hand is worth two in the bush.” I tried to use “Too many cooks in the kitchen” to get out of doing the dishes. “A penny for your thoughts” was rather handy when I needed lunch money, and I usually managed to charm that penny up to 50 cents.

When my brothers did the idiom project in elementary school, I helped them color in the backgrounds of their tiny drawings. Now that it was my turn, the responsible one, I sat in the floor of my bedroom in front of their old projects, wondering if I could steal their drawings and turn them in as my own. I knelt in front of my blank sheets of paper and decided it just wasn’t going to happen. I shoved the papers, my colored pencils, and my ideas all back in my desk drawer and pretended like it never happened.

Photo credit: Nic's events via Flickr
Photo credit: Nic’s events via Flickr

When I write and I have an idea, I scribble a phrase on a post-it note and I come back to it later. I constantly have ideas. Most of them are terrible. Some of them are amazing, but I find that the amazing almost never make it on paper. It’s such an effort. You’re taking this great, big, beautiful idea, these series of Impressionist paintings in your mind, and then you are going to slowly destroy them by putting them on paper. Nothing will ever be quite as great on the page as it is in your imagination.

I read books that take me above and beyond and away — it’s an escape, but it’s a comfort, too. Some books are made into films and those films never live up to that joy of not really knowing what’s coming next. Of how the world you envisaged is not what you see on the screen. And yet, when I get started writing, when I finally express those thoughts on a page, it makes my days better. Writing a great sentence can change the tone of any day.

Toni Morrison did an interview with NPR  to promote her new novel, God Help the Child. And she talked a lot about the moments she regrets in her life, but also, why she continues to write:

“The writing is — I’m free from pain. It’s the place where I live; it’s where I have control; it’s where nobody tells me what to do; it’s where my imagination is fecund and I am really at my best. Nothing matters more in the world or in my body or anywhere when I’m writing.”

Then, why is it, when I talk to my writer friends, or anyone who’s at work on anything, we all bemoan the looming deadline? It’s going to happen. The date isn’t going to change. You’re not going to suddenly have more time. Even if you do, you’ll find yourself re-watching episodes of The West Wing to help “stimulate your creativity” or “decompress” or whatever lie you’re currently trying to tell yourself.

And I need deadlines, we all do. Even if I mark a day on the calendar for myself, I still have to follow it. It’s not going to go away. The work might. The idea might vanish.

“The story will die anyway,” I tell myself. Either at my own hands as I attempt to get it on the page, or as it slowly fades away from me when I’m not looking.

“Depressing!” you say. Well, yeah. But wouldn’t you rather try?

Writers tell me they have trouble submitting work because they’re afraid of what people might think, but the worst that can happen? The editors won’t like it. They’ll send you a rejection note, or you’ll query them in six months and they’ll say, “Oh, sorry!” and you’ll get your note a couple of weeks later. I’ve been collecting them from The New Yorker like trading cards for the last several years.

I’m no better at it now, especially now that my thesis is done and the threat of failure is gone. If I don’t finish my stories now, no one will notice really, except for me. One of my friends offered to keep track of my deadlines for this novel I’m (sort of) writing. He will nudge me when I have a date looming so I can stay on track. And I’m currently procrastinating on letting him know my own deadlines. Mostly because I don’t have any for my novel. Which means it’s not going to get done until I do.

I get why my friends in engineering, pharmacy, computer science, and other “less-artsy” fields think that writers are crazy. We’re so neurotic it’s exhausting. “Just do it,” they say. “You care too much about the outcome.” “If you really want to do it,” they tell me, “it won’t be so hard.”

They’re right. Because I’m not writing for anyone else but me. I’m the one with the high standards. I’m the person I’m afraid of disappointing. So I pull out my little notebook with tiny scribbles in the margins, doodles, and fluorescent post-it notes. I go through my list of ideas until something makes me laugh or smile. Then I pull out a notebook, a full-sized one with a bunch of blank, wide-ruled lines, and I get started. Once I’m really going, I’ll pull out my computer if it’s handy. I like to draft in 750words.com because it times me, it tracks me. I get to see exactly what I’m up to before it ends up anywhere else. When I go back through the archives to see what I wrote in April 2015, at the very least, I’ll find this worry-missive about why I can never seem to work without a deadline. I’ve given in to my need for structure and boundaries. Why I’m writing now? I’m on a deadline. But also because it makes me happy.

And that idiom project in elementary school that I agonized over? I turned it in. It was late, sloppy, and I rushed through it. I got a C, something I’m embarrassed about to this day. Whenever I have some creative work looming, I picture that little girl kneeling on the floor over a bunch of blank sheets of paper, wringing her hands, wondering how she could ever manage to get started. Then, I pick up a pen.

Katrina Otuonye

Katrina Otuonye

Katrina is the Online Editor at LitroNY. She is a Yooper, transplanted Tennessean, and world traveler, with a BA from the University of Tennessee and an MFA from Chatham University in Pittsburgh. When she's not getting lost in a new city, she's eavesdropping on your conversations or getting a long brunch with some old friends. Katrina's work has appeared in Coal Hill Review, The Feminist Wire, and Crab Orchard Review, among others.

Katrina is the Online Editor at LitroNY. She is a Yooper, transplanted Tennessean, and world traveler, with a BA from the University of Tennessee and an MFA from Chatham University in Pittsburgh. When she's not getting lost in a new city, she's eavesdropping on your conversations or getting a long brunch with some old friends. Katrina's work has appeared in Coal Hill Review, The Feminist Wire, and Crab Orchard Review, among others.

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